Swimming Championships – Wrap Up
The story of the tournament is Swimming God Michael Phelps of the
As for us as team Getty Images. I think we get gold medals as well in several events.
Photography – I can honestly say I had no expectations going into this event. It was indoors and we had a lot against us, overall it was not ideal. But you know what? We still did our thing. Myself, Ezra Shaw, Cameron Spencer, Quinn Rooney, Robert Cianflone, Mark Dadswell, Kristian Dowling, and Vladmir Rys got down to business, and worked every angle possible in that stadium. This group of guys blew me away. Not one complaint came out of their mouths. We all rotated the positions the way it should be. It kept us fresh. It kept us motivated. They followed a heavy brief. Shot every finish. Yet they still had time to create some wonderful photographs. These guys were a pleasure to work with. Also don’t let me forget freelancer Lucas Dawson who did the entire sponsor brief. It was a tough job and he handled his business like a true pro.

The stellar editing team in action.
Editing – A world-class team of editors were bestowed upon us for this tournament. Captain Mark Kolbe and Senior Editor Rebecca (Queen of Red Dots} Butala led the way with their quiet, calm leadership, and stellar editing. Will (The Thrill) Jones, Dean Mouhtaropoulas, Ashlee Ralla, and Graham Denholm filtered in and out as well between water polo and fell right in step. These are the unsung heroes of this job. They help put our pictures out around the world. They deal with us hovering over their shoulders, touching their screens, asking if they sent this picture or that. That is like them coming over to us photographers and pressing the buttons on our camera while we are shooting the event. But they deal with us.
Day 7 of the swimming was a morning session filled with 50 meter starts. It seemed like thousands of heats with competitor’s names so long they stretched across my heat sheet. There were 5 photographers that day and we were well covered.
I decided that this would be a good time to try my 4×5 speed graphic camera and shoot some film. It keeps me motivated to try something a little different. This camera is from the 1950’s and is a whole different style of shooting.

Here I am working with the 4×5 camera.
Unlike today’s digital pro-cameras with fast motor drives and endless frames to shoot, this camera gives you a shot of one frame at a time with a manually loaded sheet of film and the camera mounted on a tripod. It takes awhile to get into a rhythm. I place myself at the starting line, shoot a few frames and then move downstairs. I have a pool bib today and have access to the pool deck. I set up at the start, check with the officials to see if I am in their way and shoot a few more frames:
The last day comes and goes without incident. We get the job done, pack up, and it’s time to go home. As I sit on my long flight from





